Tom Silvestri, longtime script consultant for studio and independent film, also the owner of Silvestri Storyworks at http://www.silvestristoryworks.com. He joins Joel and Kamala to talk about his experiences working with such filmmakers as Amy Adelson, Richard Donner, Hutch Parker, Bob Shaye, Raymond Wagner, Toby Emmerich and many more. Tom has advice for writing screenplays, producing and presenting them in Hollywood.

Editor Christopher Holmes talks with Kamala and Joel about his history in the film industry. Christopher Holmes has edited a great number of films including Five Easy Pieces, Jack Nicholson’s directorial debut Drive, He Said, Dirty Mary Crazy Larry, Car Wash, Rocky II, Night Hawks, and many others.

Director Arthur Hiller talks about his career in the film industry. With a long list of films including The In-Laws, Love Story, Silver Streak, The Lonely Guy, The Americanization of Emily, The Hospital and many others. Arthur gives us insight on working with actors, the great writer Paddy Chayefsky and how to be prepared when luck strikes you.

Dan Ireland began his career as the co-founder / co-director of The Seattle International Film Festival. Among his many accomplishments, he launched the American Premieres and releases of such notable films as SOLDIER OF ORANGE, THE ROAD WARRIOR, ALIEN, THE STUNT MAN, CHOOSE ME, KISS OF THE SPIDER WOMAN, MONA LISA, DANCE WITH A STRANGER, ANOTHER COUNTRY, CHOOSE ME, and BLOOD SIMPLE, among many others. In the 1980′s, Ireland (along with Darryl Macdonald) was the co-owner / co-operator of The Egyptian Theatre, the most successful independent theatre in the state of Washington. Ireland remained at the theatre and festival until 1986, where he was Executive Vice President of Acquisitions for Vestron Pictures. It was at Vestron that Ireland developed his filmmaking skills. During his time there, he was Executive Producer of fifteen films including John Huston’s final film THE DEAD (two Oscar nominations), Bernard Rose’s (CANDYMAN, IMMORTAL BELOVED, ivansxtc.) feature debut PAPERHOUSE and Ken Russell’s THE RAINBOW.

In 1993, Ireland joined Cineville, one of the leading independent film production companies which produced such films as DELUSION, GAS FOOD LODGING and MI VIDA LOCA.

In 1996 Ireland made his debut as a feature director for Cineville with the highly acclaimed film, THE WHOLE WIDE WORLD, starring Vincent D’Onofrio and Renee Zellweger also produced by Ireland and D’Onofrio. His subsequent directorial credits include: THE VELOCITY OF GARY, PASSIONADA and most recently, MRS. PALFREY AT THE CLAREMONT.

Leza Lidow is an accomplished painter turned film maker; she sits down with Kamala and Joel in her beautiful Los Angeles home to talk about her twelve part series of short films. Leeza is known for her work with mannequins in such pieces as her life size chess set, and depiction of the last supper. Her latest film is the eleventh in a twelve part series.

Carlos Goodman started out as the attorney on Reservoir dogs; he has been involved in the entertainment industry a number of years. Among many other films he has worked on pulp fiction, and good will hunting; he represents many high level producers, directors, and actors.

Triple threat Scott Prendergast stars, directs, and writes his first feature film “Kabluey” co-starring Lisa Kudrow. Scott talks about what it took for him to get his film made; Scott’s first short “Group Therapy” made it into the Sundance film festival.

In Cannes, Kamala interviews Jean-Francois Martin, who is a red carpet photographer in Cannes, on what his job is all about, how he sells his pictures and what the competition is like.

If you want to check out his photos, his website is http://www.tigerjeff.com

Richard Bluck was 2nd Unit Director of Photography on the Lord of the Rings Trilogy and King Kong. Richard is also the DP on the short Peter Jackson directed to test the RED Camera called Crossing the Line.

He joins Joel to talk about his experience shooting miniatures, working with Peter Jackson, and testing out the RED Camera.

Kamala interviews Producer Peter Martin at Cannes 2007. Peter is the producer of the documentary The Workshop, that is getting a great deal of heat.

Peter talks about documentary film producing, networking in Cannes, a doc that he is planning, and directing in the nude.